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・ Madonna wannabe
・ Madonna Wayne Gacy
・ Madonna Willys
・ Madonna with Beardless St. Joseph (Raphael)
・ Madonna with Child (Crivelli)
・ Madonna with Child and Saints
・ Madonna with Child and Saints (Filippino Lippi)
・ Madonna with Child and Saints (Pontormo)
・ Madonna with Child and six Angels (Duccio)
・ Madonna with Child between Sts. Flavian and Onuphrius
・ Madonna with Child Enthroned between Saints John the Baptist and Sebastian
・ Madonna with Child with Young John the Baptist (Cranach)
・ Madonna with Sts John the Baptist and Donatus (Verrocchio)
・ Madonna with the Blue Diadem
・ Madonna and Child and Two Angels (Botticelli)
Madonna and Child Enthroned (Filippo Lippi)
・ Madonna and Child Enthroned with Saints (Raphael)
・ Madonna and Child Playing with the Veil
・ Madonna and Child with a Donor (van Eyck)
・ Madonna and Child with an Angel (Botticelli)
・ Madonna and Child with Saints (Signorelli, Arezzo)
・ Madonna and Child with Saints Luke and Catherine of Alexandria
・ Madonna and Child with saints polyptych (Duccio)
・ Madonna and Child with St. Anne (Dei Palafrenieri)
・ Madonna and Child with St. John the Baptist and St. Mary Magdalene
・ Madonna and Child with the Book
・ Madonna and Child with Two Donors (van Dyck)
・ Madonna as a gay icon
・ Madonna at the Fountain
・ Madonna bibliography


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Madonna and Child Enthroned (Filippo Lippi) : ウィキペディア英語版
Madonna and Child Enthroned (Filippo Lippi)

The ''Madonna and Child Enthroned'' (also known as ''Madonna of Tarquinia'') is a painting by the Italian Renaissance painter Fra Filippo Lippi. It is housed in the Galleria Nazionale d'Arte Antica of Palazzo Barberini, Rome.
The work, dated "A.D. M. MCCCCXXXVII" on the cartouche, was commissioned by Giovanni Vitelleschi, Papal military commander and archbishop of Florence. The painting was probably destined to his palace in his native city of Corneto (now Tarquinia).
The centre of the composition is the face of the Madonna, who sits of a precious throne holding the Child. The attention to the volumes, inspired by Masaccio, is intermingled with the care for landscape and the light effects, which Lippi studied in the Flemish masters: the latter can be seen, for example, in details such as the pantoscopic view in the window on the left and the presence of precious objects.



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